Best Camera for Filmmaking on a Budget
Video Production
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It is easier than ever these days to shoot high-quality video, even if you don’t have a fancy setup. For example, the cameras in smartphones are even starting to shoot in 4K! That’s why if you’re a filmmaker looking to up your production quality, an event videographer looking for a great all-in-one solution, or a vlogger with high standards, there are certain features to look for when shopping for your next camera.
Today, we are going to look at seven of these key features. We will explain why each element is important and then present a few great cameras to consider. Every camera on this list sells for less than $2,500. While that may not seem low, that is indeed on the lower end of the spectrum when it comes to professional video cameras. So, if you’re looking for the best camera for filmmaking on a budget, these are some good options.
Before we get into tech talk, let’s look at some components you should consider factoring in:
4K Resolution
Firstly, let’s talk about resolution. 4K technology has been around for years, though most people still do not have 4K screens at home. Even though it’s unlikely that what you will be shooting will be viewed in 4K, having 4K capabilities can still be a game changer for your filmmaking. For instance, shooting in 4K opens up a world of possibilities when editing. Higher resolution gives the editor the ability to zoom, crop, and pan shots with outstanding clarity. If you’re filming a wedding or any other fast-paced event, chances are you won’t always have time to properly set up your shot, and that’s where this capability really shines. With 4K, you can get a great general shot and then take care of setting your frame in post.
AutoFocus
Secondly, let’s discuss aut-focus, since most modern cameras are going to have autofocus capabilities. What sets them apart is the speed of the AF motor, how many AF points the camera has, and how the camera interacts with it’s AF sensor. A camera with a lower quality AF will shift the focus back and forth and alter the exposure until the shot is right. With a high-quality AF, the camera will track it’s subjects without you even noticing the change in focus. Magic.
Internal Stabilization
Thirdly, let’s talk about IS, or internal stabilization. If you’re looking for smoother shots, internal stabilization is a life-saver. This feature will auto-correct any shakiness that may occur in your footage as a result of excess hand motion.
Full Frame Sensor
Fourthly, pay attention to the camera’s sensor size. If you can’t control the lighting of the environment you are shooting in, get a camera with a full-frame sensor. Having a larger sensor allows the camera to record with more depth, and this allows for greater clarity in low-light scenarios. A full-frame camera also does not crop your shot. For example, a 50mm lens with full-frame gives you a true 50mm image angle.
Raw Recording
Fifthly, an important factor to discuss about cameras is whether it can film Raw footage. This feature allows you to film without digitally compressing your footage. Yes, this leads to much larger file sizes, but you will retain much higher quality. Using uncompressed and unaffected footage gives you more versatility in post when it comes to ISO, color grading, and white balance.
Log Format
Sixthly, if your camera lacks Raw recording, look for one with Log capabilities. Log is a filter that automatically reduces brightness while increasing darkness in a shot. This leads to greater retention of exposure information and gives you more flexibility to shift tone in post.
High Frame Rate
Seventhly, for those looking to shoot in slow motion, a high frame rate option is a must. Most cameras will shift to a lower resolution when shooting at 50fps or more, while a camera with good HFR capabilities will retain full sensor resolution.
Okay, now that we’re a little more familiar with modern features, time for the fun part. Let’s look at some cameras:
Our first option for best camera for filmmaking on a budget is the Sony A6500. This camera is tiny, which is awesome for traveling and it’s great for handheld. It’s also the perfect size for sticking on a gimbal. If you’re not using a stabilizer, the internal stabilization works great.
With a smooth autofocus, the a6500 shoots in 4K, handles up to 120fps, and even records using a log picture profile. This is a whole lot of tech for such a small package!
Features
- 24.2 MP Exmor® CMOS image sensor
- 425 phase-detection AF points with High-density Tracking AF Technology
- Fast Hybrid AF for stills and movies
- Huge buffer for up to 307 images (around 36 seconds) in continuous shooting
- In-body 5-axis image stabilization
- Intuitive Touch Focus even with your eye to the viewfinder
- 4K movie recording
- High-durability shutter tested to approx. 200,000 release cycles with low vibration
- Lock-on AF
- AF in Focus Magnifier
- Slow and Quick Motion
- Dust and moisture resistance
- Silent Shooting
- One-touch remote/One-touch sharing
This Nikon is a great versatile shooter. To start, it has a 153-point AF system. Pair that smoothness with 4K resolution and the new Expeed 5 processing engine and it’s easy to get an awesome, clear shot. Slow motion works in HD. Nikon’s 10-bit, N-Log Format looks great. The only setback is the lack of internal stabilization. However, this can be addressed with a gimbal and stabilization in post.
Features
- 20.7MP APS-C (DX-format) sensor
- 153 point AF module with 99 cross-type points
- 180,000 pixel RGB sensor for metering and subject recognition
- AF point joystick
- 10 fps shooting for up to 200 shots (lossless compressed 14-bit Raw to XQD card)
- 4K (UHD) video from 1.5x crop of sensor
- 100% coverage viewfinder with 1.0x magnification
- 2.36M-dot tilting touchscreen display
- Wi-Fi and Bluetooth connectivity with NFC for setup
- USB 3.0 connector
- Anti-flicker option for working under artificial lighting
For the filmmaker who wants that major budget picture with an indie price tag, check out the Blackmagic Pocket 4K. Unlike the other cameras on this list, this will record Raw. In the world of film, this is invaluable in the post production stages for it’s editability when it comes to colorization and white balance. This is a major reason it’s one of our options for best camera for filmmaking on a budget.
When it comes to high frame rates, it will shoot in 4K at 50fps and 1080p at 100fps. The autofocus and exposure features are top notch. The only thing that could make this rig better would be a full frame sensor.
Features
- 4/3 image sensor with 4096 x 2160 resolution
- MFT lens mount
- Shoots in 4K at 50fps and 1080p at 100fps
- High-resolution cinematic digital film sensor
- Compatible with cinema and photographic lenses
- Dual Gain ISO for Exceptional Low Light Performance
- Multiple Resolutions and Frame Rates
- Uses SD Cards, UHS‑II or CFast 2.0 Media
- Blackmagic Raw
This is in many ways, the big brother to the A6500. The Sony A7III takes the same software and couples it with a full frame sensor, making it a great camera for event videographers working in low light conditions. At an ISO of 3200, shots remain clear and become only minimally grainy at 6400. Set at normal speed, 4K looks stunning. While shooting at 120fps, resolution shifts to 1080p.
Pair all of this with Sony’s fantastic autofocus and stabilization functions, and you’ve got a killer go-to for weddings, banquets, concerts, and more.
Features
- 24.2MP 35-mm full-frame CMOS sensor with back-illuminated design
- Sensitivity range up to ISO 51200 (expandable to ISO 50-204800 for stills)
- Fast Hybrid AF with 693 phase-detection and 425 contrast-detection AF points
- High-speed continuous shooting of up to 10fps with AF/AE tracking
- 4K HDRmovie recording capability
- Entirely enhanced image processing system
- Focal-plane phase-detection AF supports A-mount lenses
- Enhanced operability for continuous shooting
- Anti-flicker shooting
- Touch screen LCD for easy instant focus operation
- Location Information Link via Bluetooth
In conclusion, when trying to find the best camera for filmmaking on a budget, you really can’t go wrong with any of these cameras for your video work. However, you should keep in mind that there will always be positives and negatives to whatever you purchase. The best thing to do is establish what type of project(s) you will be doing the most, and determine what camera will best serve you.
Color Grading
Once you get your new camera, you’ll want some resources for color grading your footage to make it pop. Check out our list of 266 Free Cinematic LUTs for Video Editors or our own 10 FREE VIDEO LUTs we created.
Also, if you’re creating music videos, check out our detailed steps on How To Make A Music Video By Yourself. If you’re not sure about what to create, take a look at our list of 11 Types of Marketing Videos You Need to Know.
How To Make A Music Video
How To Make A Music Video
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Music videos are a great tool an artist can use to promote themself. They are one of the best assets for fans, booking agents, managers, and labels to get to know what an artist looks and sounds like. The task of creating one can be daunting for artists that have no experience with video production.
In this guide, we’ll walk through all the steps to creating a music video and provide tips on how to make a music video on a budget, or possibly even for free.
STEP 1 – CHOOSE A SONG
If you’re only releasing one song, then this is an obvious choice, but if you’ve released or are planning on releasing a full length album or an EP, you need to decide which song you want to release first into the world. When doing so, there are many things to think about when deciding which song to make a video for.
Which song best represents your sound?
You may have a bunch of different sounds on your album, but this is your chance to show the world what your music sounds like. If your album is heavy metal, but you have a slow acoustic ballad on the album, that might not be your best choice for your first video.
Which song presents the best story or concept for a music video?
You might have a song that lends itself really well to a music video, because it has a story or theme that would translate nicely on film. This might mean it’s the best song to make a music video for, even if it’s not necessarily your best single release.
Which song has gotten the best response from fans/family/friends?
As the artist, you might have your favorite song(s) on the album, but sometimes your favorites are not the songs that are getting the best response. Pay attention to what songs are getting the most streams online, which songs get the best response in concert, etc. If your fans already like the song you make a video for, there’s a good chance you’ll have a built in audience already, and they’ll be more likely to share it and help promote the video.
Sometimes your favorite songs are not the songs that are getting the best response.
STEP 2 – DETERMINE AVAILABLE RESOURCES
This is your chance to see what free or discounted resources you have readily available. When developing the concept for the video, keep this in mind so that you don’t come up with a music video idea that your resources can’t possibly live up to. Finding all the resources you have available is one of the best strategies for how to make a music video by yourself.
Crew
- Do you know anybody that has experience filming or editing music videos?
- Do you have any friends or family that would be willing to help on set?
- Quick tip: Can you get connected with film students that might be interested in filming a music video for class? If you get connected with a film school, there’s potential for them to provide crew, gear, and possibly even a location for the shoot.
Gear
- Do you know anybody that has a camera, lights, or any other film equipment you could borrow or rent for a discounted rate?
Locations
- Do you have access to any unique locations?
- Quick tip: A cool location can sometimes lead to the entire idea for a music video. Maybe somebody you know has a huge warehouse, shack, a boat, rooftop access, etc.
Props
Talk to your connections to see if there are any props that you could use for the video. Maybe somebody you know has an old convertible, crazy costumes, piles of fake cash, a large inflatable shark, etc.
STEP 3 – SET A BUDGET
After you’ve figured out what free or discounted resources you have available, then you need to set a budget. However, remember that a low budget does not mean you can’t make an amazing video. The amount of money you spend on a video does not determine how good it is. Creativity does! We all remember the OK Go treadmill video and the fact that it cost so little, but was amazingly effective. So, if you don’t have much money to spend on the video, don’t worry. You just need to spend more time in the concept creation phase figuring out an idea that works.
Then, once you determine your budget, YOU NEED TO TRACK IT! As you develop your concept, you’ll determine additional needs that require spending money, so you need to write them all down and keep track of how much budget you have remaining. Sometimes, you’ll have expenses that take you over budget. At that point, you need to decide if you want to increase your budget, or if you want to reduce costs in another area. You can reduce your crew size, use cheaper equipment, etc.
The important part is knowing your budget and knowing what you’re spending, so you’re not caught off guard at the end with how much the video costs. This is an often ignored part of how to make a music video.
STEP 4 – DEVELOP A CONCEPT
This is your chance to show the world your creativity. First off, ask yourself what you are trying to accomplish with this music video? For example, if you’re a rock band and you’re trying to let the world see you, then you might want a performance to be a big part of the music video. Other artists, though, might want to focus entirely on story or other captivating visuals, without having a performance part. There’s no right answer for everybody, just what’s right for you and your goals. Your concern shouldn’t be about making a “good” or “great” video, because these are subjective terms & perspectives that will certainly vary viewer-to-viewer. Your concerns should be more focused on making something that WORKS for what you’re trying to accomplish.
Once you’ve determined what you’re trying to accomplish, then you can create your concept.
Don’t stop at your first idea
Just like when writing music, the first idea is rarely the best idea. The same goes for creating a music video concept. Come up with as many ideas as you can.
- See if your fans/family/friends have any ideas.
- Watch other music videos and movies for inspiration
- Look at art or magazines for inspiration
Be unique
There are thousands of music videos created every day. Your goal is to do something that is unique and represents your message. You can watch other videos for inspiration, but allow yourself to develop a concept that is uniquely your own. There is a near-infinitely broad spectrum of what can be considered “unique”. Even a shot-for-shot recreation of another video can be unique if it serves a purpose that plays well on screen.
Make it shareable
Your goal should never be a viral video, for many reasons. First, it’s almost impossible to determine what will go viral. Second, there are millions of videos uploaded to YouTube every day, so the chance of going viral is insanely tiny. However, it is good to think about what your fans will want to share on social media. It could be a positive message, a cool visual, or just a funny moment. The point is, pay attention to how your fans are already sharing your music or previous videos, and keep that in mind when developing concepts.
This is also why the first 10 seconds of your video are very important. With thousands of videos being uploaded every hour, it’s integral for your video to captivate the viewer immediately, or else they may not share your video – they might even give up on your video in the first 30 seconds and continue scrolling until they find content that captivates them.
Just like when writing music, the first idea is rarely the best idea. The same goes for creating a music video concept.
STEP 5 – PRE-PRODUCTION
Location Scout
This part is often the part of pre-production that takes the longest, so start this right away. You need to find a location that fits the concept you’ve developed for the video. Explore lots of options and take your time. The right location can take a music video to the next level.
- When calling locations, make sure you know exactly how long you will need to film in that location, including set up and tear down time. Also, know what time of day will be necessary for filming, and be prepared to work around operating hours for many businesses.
- Find out what the power situation at the location is. If you’re using production lights, they can often use more power than standard circuits allow. If you have a gaffer for the shoot, bring them along to the location scout so they can help figure out the power availability.
- Pay attention to the bathroom situation, especially if you’ll have a large crew or lots of actors. Also, bathrooms might have to be your wardrobe / changing area, as well as where makeup is applied, so keep in mind what situation you’ll be putting your actors and crew in.
- Know what’s near the location too, especially if you’ll be filming for a full day. Like, are there close restaurants, groceries, etc?
- Quick tip: Use the Sun Seeker app when location scouting, which can show you exactly where the sun will be at each hour of the day. It’s amazing!
- Quick tip: Sometimes, you can offer to show their logo or mention the location when posting the video, as a way to avoid or reduce costs of using the location.
Casting
This is a huge topic, but here are a few things to consider.
- If you don’t have a large budget, consider using friends or family as actors.
- Typically, it's a bad idea to attempt to gather a large group of extras. You may think you can get a bunch of family / friends, but it rarely works out. For smaller artists, this also applies to getting fans to come out for the shoot.
- Facebook - There are often casting pages on Facebook for local communities. They are good resources for finding actors or extras.
- Even if you have an RSVP or confirmed extras, expect much less than the amount that says they'll be there.
- Quick tip: To encourage attendance, have something to offer them, like food, free tickets to a show, merch, etc.
Rent/Borrow Gear
Camera
- There are affordable options for any budget, but we recommend filming in at least 4k if possible. Also, if possible, use a camera that can record in LOG color and raw format, which will give you more options in post production.
Lenses
- Most professional video cameras require separate lenses, and these can vary largely in budget. Make sure the lens mount matches the camera you’re using.
Tripod or Gimbal Stabilizer
- A gimbal can provide nice camera movement for the video, but make sure the gimbal can handle the weight of your camera package.
Lighting
- Depending on the camera you use, you may need a lot of light for filming. One way to avoid this is to film outside during the day.
Headphones or Speakers
- You need a system for playback of the song to perform along with. If you’re filming a full band, make sure the speaker system is loud enough to play along with.
Microphones / Amps / Instruments
- For some music videos, you might not need them, but if you’re wanting to show a live performance, make sure you have these items.
External Camera Monitor
Often called the “Director’s monitor”, this can be useful to monitor a large preview of what the camera is capturing. These are also useful in seeing the image with a LUT (or color grade) added while filming. This gives you a better idea of what the final image will look like.
Extra Batteries and Memory Cards
- This is especially important if you won’t have the ability to charge batteries or download footage throughout the shoot day.
Props / Wardrobe / Hair & Makeup
- If you’re on a limited budget, see if you have any friends or family that have experience with doing hair and makeup.
- Depending on the creative concept, you may need specific props or wardrobe to complete your vision.
Hire Crew
Producer
The producer helps keep the project organized. This can include helping hire the crew, creating call sheets, scheduling, on set organization, etc.
Director
The director creates the vision for the music video. They oversee the entire crew and make creative decisions on the day of filming.
Director of Photography (DP) / Cinematographer
The DP is charge of lighting and camera for the video shoot. They typically assemble the necessary gear and lead the lighting and camera department during the shoot.
Digital Imaging Technician (DIT)
The DIT is in charge of the media from the shoot, including downloading footage, backing it up, and doing on-set color grading to see how the final image is going to look.
Camera Operator
Just like it sounds, the camera operator operates the camera. This is sometimes handled directly by the Director of Photography, depending on the size of the crew.
First Assistant Camera (1st AC)
The 1st AC’s main job is to pull focus. They are also in charge of charging batteries, having media ready for filming, and providing the camera operator with anything they need to get the job done.
Gaffer
The gaffer is the head electrician on set. They make sure there is enough power for the lighting that will be used, which is an important job depending on the power of the lights.
Key Grip
The key grip is in charge of setting up lights, flags, diffusion, etc. They work closely with the Gaffer and DP to make sure the lights don’t get in the way of production.
Art Director
The art director determines the design of the set. This can include props, wardrobe, furniture, etc. This role is often overlooked on smaller budgets, but it can have a dramatic effect on the look of the video. Don’t skip this role.
Production Assistant
The PA is the just what is says, the assistant on the production. This can include running errands (like picking up lunch), taking notes, grabbing gear, etc. It’s typically the role that people start out in for production.
Shot List / Storyboard
The amount of detailed planning of your shots before filming can really affect how smoothly the shoot day goes. Make sure you have a clear vision of how the video should look and how you’ll film each scene.
Make Production Versions Of The Song
You should create a version of the song with at least four metronome clicks at the beginning of the song. This allows everyone to start performing right on the first beat, without trying to guess when the song will start. It also gives you a clear sound to sync all the takes in post production.
Depending on the sequences you plan to present, you may need to make manipulated versions of the song. For example, if you intend to include slow motion performance footage, but would still like the opportunity for this footage to be synchronized to the song, you should create a version of the song at double speed. While it may sound weird, if the artist performs a double-speed version of the song while you’re filming for slow motion, and you slow down the footage in editing to half-speed, you can then synchronize the slow motion footage to the original speed of the song. There are several different ways to manipulate your audio before filming to affect your sequence in remarkable ways during editing.
Pack
Here is where you need to make a list of everything you’re bringing to set, and double check that you have everything.
- Camera Gear
- Lights
- Grip Gear (tripod, stands, flags, diffusion, etc.)
- Props
- Wardrobe / Makeup
- Music (device to play the song on)
- Speaker (to hear the song – make sure it’s loud enough to hear while playing instruments, especially if you have a full band including a drummer)
- Craft Service (food and drinks for the crew, band, and actors)
The right location can take a music video to the next level.
STEP 6 – PRODUCTION
Camera Settings
First off, make sure to learn how to use your camera before the shoot. If you’re renting or borrowing a camera, spend as much time as possible playing around with it. Learn the settings and the menu, because you don’t want to waste time figuring out how to change a setting when you’re running low on time and your actors are getting frustrated during the shoot.
Also, despite what you might think, there are no predetermined camera settings to fit all scenes or moods. When dealing with camera settings, use your song to determine what kind of look you envision for your video. There are a lot of things to consider, such as slow motion vs regular motion, soft vs sharp footage, color preferences and more. No option is better or worse than the other, but they can surely help you accomplish your purpose & vision based on what you’re going for.
Quick tip 1: If your camera has user presets that allow you to set up different recording options, do that ahead of time. For example, if you’re going to film in 24 FPS with a 1/48 shutter speed, and also film 60 FPS with a 1/20 shutter speed, set a preset for each of those, so that you can quickly switch between the two on set to save time.
Quick tip 2: If you have no idea what settings to use, a good starting point is filming at 23.976 FPS with a 1/48 or 1/50 shutter speed. For slow motion, use 59.94 FPS and a 1/120 or 1/125 shutter speed.
Slow motion
For example, if you envision slow motion footage adding dramatic affect to your video, you’ll want to shoot that footage with your camera settings at a 48fps or higher frame rate. Most videos are exported at 24 frames per second, so when you film at 48 FPS, you can slow down that footage to half the speed, and your footage will play slow motion at 24 FPS instead of looking all chopped up. Many of the lower budget cameras will film in 60 FPS, so you’d slow your footage down to 40% speed in post for slow motion.
Quick tip: Remember to adjust your shutter speed (discussed in more detail below) when you change the FPS you’re filming in. For example, if you’re using a 1/48 shutter speed when filming 24 FPS, you probably want to adjust your shutter speed to 1/120 when filming 60 FPS.
Depth of Field
If you want the background of your footage to be blurry, you’ll want to adjust your depth of field by setting your lens to a larger/faster aperture. The lower the number your f/stop is set to, the shallower your depth of field will be, which will create the cinematic look you might be going for. Similarly, if you want a sharper image, you will want to set a smaller aperture.
Quick tip: Adjusting your depth of field (aperture) also adjusts how much light enters your camera, so make sure you adjust your lighting or other settings on your camera so that exposure matches other shots.
Shutter Speed
Shutter speed is how long your sensor is open for each picture it takes. The faster your shutter speed, the lens motion blur there is. Even if that’s past your level of knowledge, you can still play around with different shutter speeds when testing to see which look you like best.
Quick tip: Rock music videos often look better with a faster shutter speed, because it adds some intensity to it. For example, it’s a technique they used to make the battle scenes in Saving Private Ryan so intense. For slower songs, you more than likely want a slower/longer shutter speed.
Camera Movement
Similar to camera settings, there are a variety of methods to capture your footage in a way that benefits your scene & overall treatment. There are many different ways to accessorize your camera with various stabilization gear. There are no right or wrong ways to move your camera. This will all depend on a combination of the song & your treatment.
For example, if your song is smooth and heartfelt, you might want your footage to reflect that – so you might want to locate a steadicam or a gimbal (like a Ronin) for smooth camera movements. Whereas a song that has more energy & bounciness might call for a handheld or shoulder rigged camera that can accentuate that. Your camera movement has the ability to serve & support the video’s purpose. It’s an opportunity that can be missed if you neglect planning your camera movement style beforehand.
Filming
For the performance, make sure to film each take multiple times, with multiple angles and focal lengths. You don’t want to get into post and not have a closeup if there is a need for one. The same goes for filming the story portion of the video. If you just film a wide shot and no closeups for a scene, it will be harder to cut between takes. This may be the look you’re going for, but if not, give yourself more to work with.
If you’re new to this, then a good motto is probably, “there’s no such thing as too much footage”. With digital cameras, you’re not worried about running out of film, so you can shoot more. Also, storage has gotten so cheap, so you shouldn’t worry about hard drive space.
Also, don’t be afraid to experiment. If you have an idea and you’ve got the time, try it. It might turn out great!
Quick tip: Consider filming before calling “action” or after calling “cut”! This is especially true with people that don’t have much experience being in front of the camera. They might be more natural when they don’t know the camera is rolling. This is also a commonly used trick when filming kids.
STEP 7 – POST PRODUCTION
Ingest the Footage
Organize your footage in a way that works for you. In most editing software, you can organize all your content & assets into bins or folders. It would likely benefit you to create folders to keep your videos, audio, graphic assets, sequences, and other additions separate. This will come in handy when you’re looking to add a specific element to your sequence, because instead of looking through one unorganized mess of different files mixed together for one specific piece of footage, you can narrow your results into folders and find exactly what you need.
Editing
This is too large a topic to cover here, but you want to watch as many videos that are similar to your vision to see how they do it. Pay attention to how quick the edits are, how much story they show versus performance, what angles they use, etc. There are countless resources online (like YouTube) that teach specific edit tips and tricks.
Color Grading
Color grading is one of the most important factors in your video’s ability to captivate. It can directly contribute to the “wow” factor you desire. Most editing software offers extensive & easy to use color grading features. It’s important to spend some time making a color grade you’re completely happy with. There are plenty of free resources to help you decide your aesthetic, that may also help you decide between monochromatic, complimentary, & compound color-themes, and begin fine-tuning your footage so it looks exactly the way you want.
STEP 8 – RELEASE
Export
Make sure to export a master and a web version of the video. The master is the large file you keep filed for future use or exports, and the web version is the version you can upload to YouTube or social media. For the web version, a .h264 MP4 is typically a good option. Check out YouTube bitrate suggestions to make sure you’re optimized for the platform.
Social Media
We recommend creating different versions for each social media platform. For Facebook, make sure to upload the web version directly to Facebook instead of using a YouTube link. This allows the video to play directly in Facebook, which receives more views and engagement. For Instagram, there are two options – you can create a preview of the video that’s under 1 minute, which is the max length they allow on the main feed posts and a link to the full video in your profile link or you can upload the full video to IGTV (as long as it’s under 10 minutes – which is most likely will be) and post the IGTV preview to your main feed.
HOW TO MAKE A MUSIC VIDEO
Figuring out how to make a music video can be a challenging but fun task. Take your time and use this opportunity to make a visual representation of what your music conveys.
If you have any questions or realize you need a professional to partner with, reach out to us! This is what Push Focus does!
EXAMPLES
Being a Nashville video production company, we are surrounded by up-and-coming artists looking to get their music out in the world. Here are some examples of music videos we’ve created at Push Focus that show what can be done on a limited budget.